How does the auto-placement work?

It listens for peaks and beats, watches for white flashes and hard cuts, drops markers on the strongest moments. High-likelihood picks get a vision-model refinement.

Can I change the sounds after?

Yes. Every marker is editable: swap the sound, change the category, drag to retime, delete, add new ones.

Does it need an audio track?

No. With audio the placement is significantly better. Without, it falls back to white-flash and cut detection only.

How many markers will it add?

About 10 to 15 per minute by default. Enough to cover the obvious hits without crowding the timeline.

Auto SFX

Auto SFX places sound effects on a clip automatically. Listens for hits and beats, watches for white flashes and hard cuts, drops about 10–15 markers a minute, hands you an editable timeline. Top-scored picks get a second-pass refinement from a vision model. Loudness metrics follow broadcast standards.

Tips

Regenerate with a different density if the first pass feels crowded or thin.
Auto markers are tagged; manual markers you add afterwards survive a regenerate.
Watch the SFX-vs-program chip: if the SFX bed is more than 6 LU above the dialogue, pull the master down.
For streaming, aim for −14 LUFS integrated and ≤ −1 dBTP true peak.

Frequently Asked Questions

How does the auto-placement work?: It listens for peaks and beats, watches for white flashes and hard cuts, drops markers on the strongest moments. High-likelihood picks get a vision-model refinement.
Can I change the sounds after?: Yes. Every marker is editable: swap the sound, change the category, drag to retime, delete, add new ones.
Does it need an audio track?: No. With audio the placement is significantly better. Without, it falls back to white-flash and cut detection only.
How many markers will it add?: About 10 to 15 per minute by default. Enough to cover the obvious hits without crowding the timeline.

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