Auto SFX
Auto SFX places sound effects on a video automatically. It runs four signal passes, audio onsets, beat detection, white-flash frames, hard cuts, scores each candidate moment, keeps about 10 to 15 markers per minute, and hands over an editable timeline. Top-scored picks get a second-pass refinement from an on-platform vision model. Loudness metrics follow ITU-R BS.1770-4.
Tips
- Regenerate with a different density if the first pass feels crowded or thin.
- Auto markers are tagged, manual markers you add afterwards survive a regenerate.
- Watch the SFX-vs-program chip: if the SFX bed is more than 6 LU above the dialogue, pull the master down.
- For streaming, aim for −14 LUFS integrated and ≤ −1 dBTP true peak.
Frequently Asked Questions
- How does the auto-placement work?
- It listens for audio peaks and beats, watches for white flashes and hard cuts, then drops markers at the strongest moments. High-likelihood picks get a second-pass refinement from an on-platform vision model.
- Can I change the sounds after generation?
- Yes. Every marker is editable, swap the sound, change the category, drag to retime, delete, or add new ones.
- Does it need an audio track on the video?
- No. If the video has no audio, it uses white-flash and cut detection only. With audio, the placement gets significantly better.
- How many markers will it add?
- About 10 to 15 per minute by default, enough to cover the obvious hits without crowding the timeline.
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